Review: ‘The Swerve’
‘The Swerve’ is an unsettling, heart-wrenching journey into the depths of the personal hell we oftentimes find ourselves thrust into.
Review: ‘Monsoon’
Anchored by a vulnerable performance from Henry Golding, ‘Monsoon’ is ultimately a gentle exploration of cultural displacement that feels timeless thanks to its arresting visua
Someone’s Favourite Film: Drive
In this edition of 'Someone's Favourite Film', contributor Kayven Varke attempts to define the person whose favourite film is 'Drive'.
The Merit of Award Shows Amidst a COVID-Ridden World
Matthew Minton discusses the merit of award shows in a COVID-19-ridden world.
Review: ‘No Escape’
While it doesn’t bring anything new to the table, ‘No Escape’ is a fun, more than watchable thriller that provides a more-than-welcome reprieve from today’s “elevated hor
Review: ‘Enola Holmes’
A fun but slightly flat mystery adventure story, 'Enola Holmes' provides light entertainment with wonderful visuals and a perfect cast.
Review: ‘The Devil All the Time’
Tom Holland and Bill Skarsgård deliver two of the best performances of the year in this haunting, searing rumination on faith and mortality.
Laura Mulvey’s “Visual Pleasure” and Ari Aster’s ‘Midsommar’
'First Cow' provides a refreshing look at a different form of masculinity.
Review: ‘Antebellum’
Despite a few disappointing plot elements and a lack of authenticity, this take on Mulan is an impressive, tense spectacle that strives to define its own new identity.
‘Skate Kitchen’ and ‘Betty’: Answering the Call
'Skate Kitchen' and 'Betty' provide an insightful, heartwarming look at female friendship and the need for community.