LFF Review: ‘Rose: A Love Story’
Despite its narrative shortcomings, Rose: A Love Story is still a formidable debut feature from Jennifer Sheridan with a powerful performance from Matt Stokoe, wonderful visuals and an atmosphere that most filmmakers would struggle to capture.
How much would you risk for a loved one? That is the central question posed by Rose: A Love Story, a searing, haunting and audacious exploration of love and sacrifice that, despite its attempts to venture into genre territory, is mostly at its best when it focuses on the loving and tender dynamic between its two leads.
Marking Jennifer Sheridan’s directorial debut, Rose: A Love Story centers on Rose (Sophie Rundle) and her partner Sam (Matt Stokoe). The two live a quiet, isolated life in a cabin, hidden from the outside world. Rose seems to be suffering from an illness of sorts and Sam frequently goes out of his way to provide for them, making shoddy deals with shady figures in the process. Their tranquility and regular routine is interrupted, however, by the presence of Amber (Olive Gray), who accidentally gets caught in one of Sam’s traps, changing the course of their lives forever.
Matt Stokoe, who also wrote the film’s screenplay, delivers a phenomenal performance as a man desperate to protect his partner and the life that they built for themselves from any outside forces. As well as being a largely emotional performance, it is also a physical one, requiring Stokoe to physically push himself in harsh weather conditions, and he proves to be more than up for the challenge, establishing a searing, intimidating presence right from the start. Sophie Rundle is formidable as a woman trying her best to stay positive in the face of misfortune but she isn’t given much to do, with the bulk of the script focusing more on Sam’s struggles to provide for them rather than Rose’s mysterious illness. The two have chemistry in spades, though, their connection undeniable and their frustrations more than believable. They perfectly capture the essence of a couple whose nerves and patience have started to fray, familiarity breeding a palpable contempt as the two haven’t properly interacted with another soul in ages. Olive Gray, meanwhile, delivers a memorable turn as a young woman trying to escape her past despite a limited amount of screen time, her presence injecting the film with some much needed liveliness and variation.
The film’s cinematography is gorgeous, with DP Martyna Knitter framing the film’s cold, bleak setting in a palpable way that will ensure audiences will feel a chill in their bones right alongside the characters themselves. The score, courtesy of Cato Hoeben, also goes a long way in establishing a tense atmosphere, the chimes and strings striking a perfect balance between subtle and effective. The film falls short, however, in terms of its screenplay. It has an interesting hook but it’s never fully expanded on enough to warrant a feature length film. After a stunning and mysterious first act, the film descends into a repetitive series of events that feel more tedious than riveting. By the time Amber arrives in the third act, audiences will have already checked out, frustrated by its ambiguous nature.
Despite its narrative shortcomings, however, Rose: A Love Story is still a formidable debut feature from Jennifer Sheridan with a powerful performance from Matt Stokoe, stunning visuals and a tense, bleak atmosphere that most filmmakers would struggle to perfectly capture, ensuring her status as an exciting new name in the industry and one to definitely watch for in the future.
Rating: 3/5
Rose: A Love Story screened at the 2020 London Film Festival.