Where is the Final Boy?
Standley Swindling examines the sorely-felt absence of a "Final Boy" in the horror genre and assesses whether or not there is room for one.
LFF Review: ‘Ammonite’
Saoirse Ronan steals the show in this deliberately cold and distant film that will leave viewers divided on its tone.
Screamfest Review: ‘A Ghost Waits’
A haunting, charming and genre-defying rumination on love, life and purpose with a charismatic lead performance from MacLeod Andrews.
Review: ‘Rebecca’
Armie Hammer gives an incredible performance in this exciting if slightly heavy-handed take on Daphne du Maurier's Gothic tale.
Nightstream Review: ‘Bloody Hell’
A hilarious, gruesome and batshit insane toss-up of John Wick and The Hills Have Eyes with an impressively unhinged lead performance from Ben O’Toole.
Review: ‘Welcome to the Blumhouse: Nocturne & Evil Eye’
A mesmerizing performance from Sydney Sweeney elevates the otherwise schlocky ‘Nocturnal’ while Sarita Choudhury and Sunita Mani impress in the surprisingly heartwearming ‘Ev
LFF Review: ‘Wolfwalkers’
‘Wolfwalkers is a family film that will warm up this freezing season with its enigmatic elegance and fiery fervour, a surefire Oscar contender.
LFF Review: ‘Soul’
With striking visuals and impeccable voice work, 'Soul' is one of Pixar's best and most daring films.
LFF Review: ‘Wildfire’
Cathy Brady’s latest film, Wildfire, is a complex story of a relationship between two sisters, which has too many cracks for an easy fix. After abandoning her quiet border town i
Nightstream Review: ‘An Unquiet Grave’
Terence Krey’s ‘An Unquiet Grave’ is a harrowing, gruesome exploration of loss and grief with devastating performances from its two leads.