NYFF Review: ‘French Exit’
Moving and endearing but largely disjointed and unfocused, ‘French Exit’ is a beautiful mess of a film with a powerful and compelling performance from Michelle Pfeiffer at its
Nightstream Review: ‘Run’
An intense, thrilling Hitchcockian thriller anchored by inventive setpieces and powerful performances from Sarah Paulson and newcomer Kiera Allen.
Screamfest Review: ‘Initiation’
John Berardo’s ‘Initiation’ is a complex and subversive take on the slasher movie with formidable lead performances from Lindsay LaVanchy and Froy Gutierrez.
Review: ‘The Trial of the Chicago 7’
A complex real-life drama and cinematic masterpiece that features astounding performances from Sasha Baron Cohen, Mark Rylance, Eddie Redmayne and Yahya Abdul-Mateen II.
Review: ‘Hubie Halloween’
'Hubie Halloween' is a comedic homecoming for Adam Sandler, including all of the silliness that comes with the territory. Unfortunately, the film is largely unfunny and there are m
LFF Review: ‘Shirley’
A tense and unique psychological thriller about manipulation and obsession with standout performances from Elisabeth Moss and Odessa Young.
Review: ‘The Wolf of Snow Hollow’
Jim Cummings’ ‘The Wolf of Snow Hollow’ is a well-crafted sly, thrilling and surprisingly emotional ode to fatherhood, community and genre filmmaking.
Review: ‘The Boys in the Band’
Juxtaposed against the last four years, Joe Mantello and Ryan Murphy’s film revival of ‘The Boys in the Band’ is a poignant reminder of the infectious nature of hatred and sh
Review: ‘Welcome to the Blumhouse: The Lie & Black Box’
A trio of terrific performances can’t save ‘The Lie’ from being an underbaked, overwrought mess. ‘Black Box’, on the other hand, is an engrossing, inventive and surprisin
Review: ‘Books of Blood’
A fun, nostalgic ride through different bygone eras of horror, this loose adaptation of Clive Barker’s iconic horror anthology classic is a welcome reprieve from today’s brand