Review: ‘The Princess Switch 2: Switched Again’
A joy to be had by all, The Princess Switch 2: Switched Again is a fabulous addition to a franchise that should continue, a new Vanessa Hudgens added each time.
Netflix and the Great Audience Divide
Contributor Kayven Varke examines Netflix's business model when it comes to greenlighting films, as well as the great divide between audiences and critics when it comes to their fi
The Ongoing Battles of Spotlight and Dark Waters
Dark Waters (2019) and Spotlight (2015) dramatize the uncovering of two major scandals that have since shaken Americans to the core. As films, they share a lot of similarities, and
Review: ‘Over the Moon’
Over the Moon lacks the imagination it needs to deliver on an interesting premise.
Interview: Aneesh Chaganty on ‘Run’
An interview with the director and co-writer of 'Run', starring Sarah Paulson and Kiera Allen.
Review: ‘Freaky’
Hilarious and surprisingly heartfelt, Christopher Landon and Michael Kennedy’s love letter to the slasher genre is one of the best films of the year.
Review: ‘Dreamland’
Finn Cole and Travis Fimmel are phenomenal in this gorgeously shot yet narratively half-baked coming of age drama.
Review: ‘The Giant’
Odessa Young impresses in this beautiful yet overambitious mess of a film.
Review: ‘Hillbilly Elegy’
Overall, Hillbilly Elegy is a compelling offering in the Netflix catalogue that may not get much awards traction but still stands tall on its own.
Revenge for the Male Gaze: Relieving Trauma in Takashi Miike’s Audition
21 years after its release, Julieann Stipidis examines the depiction of trauma and catharsis in Takashi Miike’s 'Audition'.