TIFF Review: ‘Inexorable’

Telling a surprisingly layered story that strays into sensitive territory given how it deals with themes like nepotism and marital longevity is often challenging but Fabrice Du Welz’s Inexorable is a force to be reckoned with. Starting off as a normal family drama, it soon escalates into a nail-biting thriller. Executed with classical flamboyance, this film brims with dread, intrigue, and bracing psychological insights.

Telling the story of a famous writer Marcel Bellmer (Benoît Poelvoorde) and his wife Jeanne (Mélanie Doutey), it follows their arrival at a colossal old country manor belonging to Jeanne’s family. As he settles into his late father-in-law’s office, Marcel hopes to overcome his problem of writer’s block and compose a worthy follow-up to his beloved hit novel Inexorable. Soon a mysterious, young woman Gloria (Alba Gaïa Bellugi) appears at their house. An oddball from the start, Gloria, at first charms the Bellmers with her personality, artistic flair, and independence, however it’s apparent to the audience that there’s more going on with Gloria than meets the eye. She quickly forms a bond with Marcel and Jeanne’s daughter Lucie, helping her with the family dog and starts living with them. As the story unfolds, it is revealed that Gloria is full of surprises and that there is very little she is not willing to do to prove a point or protect herself. All of this forms a basis for familial tension, further compounded by Jeanne’s suspicions. As those actions become more intense, viewers wait for the next action to take place, and also marvel at the complexity of the story, for this is no ordinary thriller.

The shiniest gem in this wildly engrossing film is Alba Gaïa Bellugi’s striking performance as Gloria. While acting is uniformly top notch throughout, Bellugi spectacularly establishes herself as one of the most remarkable young talents currently working in French cinema, and that’s a statement not to be taken lightly. Her transition from shy and awkward to peculiar and mystifying is very surprising to watch. Benoît Poelvoorde and Mélanie Doutey also deliver promising performances, with Poelvoorde depicting a sizzling tension between his and Bellugi’s character.

Beautifully photographed and scored, and directed with strong confidence, the film never stops surprising audiences and doesn’t let them go until the very last minute. The most impressive factor is that this is not a movie which relies solely in special effects, a loud soundtrack, or quick cuts to create an oppressive atmosphere where tension thrives. At times it may feel predictable, but the characters are already presented so well, that viewers can’t help but feel that maybe they haven’t predicted it.

Inexorable ultimately proves to a well-established thriller that is somewhat original, hypnotic, and perfectly able to show the various degrees and faces of violence and obsession. It introduces some twists in the form of characters, which are both intriguing and despicable. – Nabeel Zaman

Inexorable premiered at the 2021 Toronto International Film Festival on September 11, 2021.